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market people the people, pieces and places behind london's street markets home about faq recently written albert sabbah, leica-liker mark wilson, record scout reprieve for greenwich market yosuke fukudome, wabi sabi savant stocking up…. ray beckett, prince of prints nigel stark, biker geek alan blackburn, mr pig shane forrester, story-seller roger barton, sole trader categories billingsgate borough brick lane broadway camden passage columbia road deptford dulwich greenwich leather lane news portobello ridley road shepherds bush spitalfields archives february 2013 october 2012 august 2012 july 2012 june 2012 may 2012 april 2012 march 2012 february 2012 january 2012 december 2011 november 2011 blogroll deptford dame deptford market derelict london greenwich phantom hidden london ianvisits londonist retronaut selectism spitalfields life subterranean greenwich & kent vintage guide to london admin log in wordpress xhtml search feb 3 albert sabbah, leica-liker filed under portobello | comments off “i was the young one. now i’m the old one.” some antiques, some junk items, are destined to stay on shelves. but the items on albert sabbah’s stalls are designed to be handled. his selection of vintage leicas, rolleiflexes or even 1980s camera are beautifully tactile, finely-engineered and are more likely destined, he says, to be used by students discovering the magic of film photography than to end up as shelf queens. albert’s a practical man, his stall jutting out into the street, seducing you with its approachability; like many of his cameras, he’s led an interesting life. i remember seeing your stall here for five or ten years. but you started out actually taking photographs, didn’t you? how did that start? originally, i’m from syria. i came over to london in 1965. i was an apprentice, and then i was a photo-journalist and general photographer. so you arrived in the middle of swinging london, how was that? it was beautiful, really nice. i went to the isle of wight festival, took lots of shots of jimi hendrix. i had a camera like this, a mamiya c3. it was very nice, i loved it. if you’re a hippie as well… i was not really, except that one week in the isle of wight. it wouldn’t be my cup of tea now, but it’s all right when you’re 18 or 20, beautiful, nice music, staying in the tents, having all-day, all-night music. i don’t know how i’d feel now. but i love music. we stayed about one week. did you sell any photos from the festival? are they with an agency? i don’t have my photos with an agency, though – i was doing it all by myself, i didn’t really know anybody. my nephew is a photographer, he’s well known , he’s doing all right, and is meeting people, going to all these places. for me, to do that was difficult. so i ended up doing photos for antique dealers, the majority of my friends were antique dealers. before they send the real item abroad they send a picture. so i’d take photos of carpets, baths, anything. then when i stopped taking so many photos, i thought to come here to portobello. and the other bits, this and that, you learn along the way. but mainly i’m on cameras. so you were on portobello in the 1970s. how was it in those days? truthfully, it was much better. there were real antiques, everywhere. then i was the young one, but now i’m the old one. most of what you see now is new and repro – i would say in my opinion rubbish. but in 1970s, all around you were genuine antique dealers, there were things to buy for ten thousand pounds, you name it. where did those people go? i don’t know really. i suppose some stopped, some moved somewhere else, and then some new ones came. really, if you are an antique dealer, when you see the next stall someone is selling new watches, ten pounds, 20 pounds, you get irritated! i was in a unit with five shops., one lady had been there 30 years, opposite the lady was at least 10 years. then, in front of us, they put this stall was all new handbags. it almost covered up the whole unit. so this woman who had used to make lots of money, suddenly she took nothing. so she left. when she left, i left, the other woman left, the guy left. then suddenly it was all new handbags. the owner, they don’t care, only about the money, they thought she wouldn’t move. but she did. and then i came here. but these things happen. everybody who has a stall has usually made one amazing discovery. what was yours? i’m not a very lucky person generally! but i did find a few. for instance i was in west ruislip auction, the guy had a box of cameras, he had an early digital, very clumsy and ugly. people were looking at that, but he had another box, with about 10 cameras, instamatics, nobody was looking at. the auctioneer was, who is going to pay 20 pounds?i put up my hand. nobody else did. i said allelulia. i picked it up. it was a leica 1, one of the earliest, 1937. there are two models – if it was was the other one it would have been five six thousand, this one when i came home, i checked, it was about six hundred, seven hundred pounds. i put it on the stall, a spanish woman came up, said, i’ll take it, straight away. that’s the only one, i didn’t have many others like that. you mentioned that it’s not just older collectors buy your cameras, it’s younger people too? oh yes. like look at this camera, 1860s, 1870, no speed, just aperture. and it’s still professional even now, it’s becoming a fashion, after they take the digital photos, the last pictures of the session they take with one of these. with an eight by four negative. the majority of youngsters, ‘cos they grew up with digital, to them it’s some sort of fantasy. they have the digital but they like to use film. then there’s another category, people studying photography, they look at who used this camera, who used that, and they like to own it. when i was an apprentice photographer, i used to look at these cameras in shop windows. and now the situation is different, they have money, and they buy it. tweet -- oct 25 mark wilson, record scout filed under greenwich | comments off “it still has a kind of magic. ” some people say markets do better in a recession. one of them just did. long-threatened by those entrusted with its care, greenwich covered market has just had a welcome reprieve. the entire development scheme that threatened it was a hubristic notion, of a hotel complex that would open long after a plethora of other new hotels, big and small, in this corner of london. now, thankfully, someone at greenwich hospital estates has run a spreadsheet that reflects the current outlook and competition, and abandoned the scheme. the market’s not safe for ever. but hey, nowhere ever is. so it’s a time for celebration – maybe with music, played on glorious old vinyl, by one of greenwich’s longest-standing stall-holders, mark wilson. how do you feel about the reprieve for the covered market? it is good news. i’m here just once a week so i don’t always get to hear the full story, sometimes it’s all chinese whispers without too many details. but the fact we don’t get moved out for two years, i think that’s brilliant. people often say this market is on its last legs, but it isn’t, is it? it’s never going to be huge like spitalfields, it’s a smaller community, but that’s good. it’s unique. you’re old school, aren’t you – you were a regular at our much-missed, stockwell street market. when did you start coming here? that would have been about 1994, i was at portobello too. that was probably when greenwich was at its peak, then or the late 1980s. everyone remembers the old petrol station. it’s long gone now – but everyone remembers it. you started out running a stall while you were in a band, didn’t you? i was in a band, yes. last great dreamers we were called. we did one album, on music for nations. i started at the market ‘cos of my cousin who was our manager, he was starting something in norwich and said, have you thought about doing this between gigs? i used to work at prs and i’d given that up

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http://www.marketpeople.org/2012/10/yosuke-fukudome-wabi-sabi-savant/attachment/12/
http://www.marketpeople.org/2012/04/roger-barton-sole-trader/
http://www.marketpeople.org/2012/10/yosuke-fukudome-wabi-sabi-savant/yosuke-spitalfields-2-1-of-1/
http://www.marketpeople.org/2012/04/roger-barton-sole-trader/#comments
http://www.marketpeople.org/2012/05/alan-blackburn-mr-pig/alan-blackburn-borough-market/
http://www.marketpeople.org/2012/08/
http://www.marketpeople.org/category/news-2/
http://www.marketpeople.org/2012/10/mark-wilson-record-scout/mark-wilson-greenwich-market/
http://www.marketpeople.org/2012/05/shane-forester-story-seller/shane-forester-portobello-b/
http://www.marketpeople.org/2012/06/nigel-stark-biker-geek/nigel-portobello-a/
http://www.marketpeople.org/2012/04/roger-barton-sole-trader/roger-billingsgate-fish-market-a/
http://www.marketpeople.org/about/
http://www.marketpeople.org/2013/02/albert-sabbah-leica-liker/albert-sabbah-2-1-of-1/
http://www.marketpeople.org/category/greenwich/
http://www.marketpeople.org/category/columbia-road/
thegreenwichphantom.co.uk
themaritimegallery.co.uk
ianvisits.co.uk
greenwich.co.uk

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